"#1007" Mixed Media
Framed.
Thomas Frank
I have always been interested in gestural forming of images giving a sense of motion to the static marks on a two-dimensional surface. Since my training began in the 1950s when abstract expressionism was at its height, I easily relate to abstract imagery that only refers to itself. And since I have been working in Photographic media, it has always been a goal of mine to adapt abstract gestural imaging to photography. The idea of non-referential images seems to contradict camera-made photography: could subject matter be chosen that reads as pure abstraction and not refer to its source? I have discovered that using a glass black as a filter through which to photograph subjects is working successfully to accomplish the direction I'm currently interested in exploring. Digitally photographed images are only minimally altered in Photoshop, limited to and easily matched to traditional darkroom techniques. To date, I feel that my imagery is more in the key root of twentieth-century art that distinguished modern art from nineteenth-century art. The presence of abstraction is at the core of what it is to be modern. It is interesting to note that this change corresponds with the change of the century. Perhaps my images will expand and continue the photographic dialogue.
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