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Methodology, Ideology and Pedagogy of African Art: Primitive to Metamodern

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032920
Methodology, Ideology and Pedagogy of African Art: Primitive to Metamodern

This edited volume, including contributions from scholars with different areas of specialization, investigates a broad range of methodologies, ideologies and pedagogies focusing on the study of the art of Africa, using theoretical reflections and applications from primitivism to metamodernism.

Chapters break the externally imposed boundaries of Africa-related works beyond the conventional fragments of traditional, contemporary and diaspora. The contributions are significantly broad in their methodologies, ideologies and pedagogical coverage; yet, they all address various aspects of African artistic creativity, demonstrating the possibilities for analytical experiments that art history presents to scholars of the discipline today. The I?wa? (character) of each approach is unique; nevertheless, each is useful toward a fuller understanding of African art studies as an independent aspect of art historical research that is a branch or bud of the larger family of art history. The volume respects, highlights and celebrates the distinctiveness of each methodical approach, recognizing its contribution to the overall character or I?wa? of African art studies.

The book will be of interest to students in undergraduate or graduate, intermediate or advanced courses as well as scholars in art history and African studies.

Table of Contents
1. On the Invention of "Traditional" Art

John Picton
2. Sensiotics or the Study of the Senses in Material Culture and History in Africa and Beyond

Henry John Drewal
3. Dancing Nkhoba: The Flow of Sound and Healthy Bodies in the West Usambara Mountains of Tanzania

Marguerite E.H. Lenius
4. African Meanings, Western Words

Barry Hallen
5. Chwuechology: Indigenous African Art Education

Akinyi Wadende
6. Azande and Mangbetu Artists as Social Critics in the Belgian Congo 1909-1915: What Are the Implications for Contemporary Artists and Museums Today?

Nancy Pauly
7. Cloth as Metaphor in Egungun Costumes

Bolaji Campbell
8. Conflict and Peace: Gender and Spiritual Dimensions of Eguìnguìn Performance

Funmi Saliu Imaledo
9. Ilbal Fuin Obinrin: Monochromatic Mythography of Yoruba Female Power Kehinde Adepegba 10. Creativity and Identity Construction in Contemporary Yoruba Art

Michael Olusegun Fajuyigbe
11. African Art, the Venice Biennale, and the Politics of Visibility

Janine A. Sytsma
12. The Spirit of Fi Yi Yi and the Mandingo Warriors: Africa in New Orleans

Cynthia Becker
13. Speaking into Being: The Resonance of Empathy in the Work of Elizabeth Catlett

Melanie Anne Herzog
14. Sacred Spaces: Antonius Roberts and Public Sanctuaries

Moyo Okediji
15. Reflections and Reminiscences Revisited: Indigenous Knowledge Systems, African-Based Worldviews, and Cross-Cultural Diasporic Connections

Andrea E. Frohne
16. Akwaaba/Continuum: Manifesto of an African Artist

Rikki Wemega-Kwawu
17. Esu Elegba Agency in the Critical Imagery of African American Artist John Yancey

Christopher Adejumo
18. Toward a Sonic African Diasporic Re-Membering Jacqueline Cofield

Paperback, 326 pages, 19 Color & 46 B/W Illustrations.

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