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Caravaggio's Palette - Lead-Tin Yellow Artist Oil Paint
$59.50
Availability:
In stock
SKU
032585
Caravaggio's Palette
Through his innovative use of color and light, Caravaggio transformed the landscape of 17th-century painting. His legacy, marked by a distinctive palette and a profound understanding of human emotion, continues to inspire and captivate audiences, making him a pivotal figure in the history of Western art.
Although "chiaroscuro" was practiced long before the 17th century, Caravaggio made the technique definitive, darkening the shadows and transfixing the subject in a blinding shaft of light. He achieved this effect with a limited palette typical of 17th-century painters: iron oxide earth colors, a few mineral pigments, carbon or bone black, and verdigris. Earth pigments predominated, and brighter colors were always veiled.
Caravaggio's palette was a testament to his pioneering approach, comprising a relatively limited yet highly impactful range of colors. Central to his palette were earth tones, which were the bedrock of the Baroque school's inclination towards realism and emotional depth.
Colors of Caravaggio's Palette (Equivalent Color in Rublev Colours Artists Oil Paint):
Lead White (Lead White #1 Oil Paint)
Lead-Tin Yellow (Lead-Tin Yellow Oil Paint)
Yellow Ocher (Blue Ridge Yellow Ocher Oil Paint)
Verdigris (Viridian Oil Paint)
Vermilion (Cadmium Red Light Oil Paint)
Red Ocher (Venetian Red Oil Paint)
Umber (Cyprus Raw Umber Medium Oil Paint)
Bone Black (Bone Black Oil Paint)
Lead-Tin Yellow Artist Oil Paint
High-Quality, Professional Oil Paint 50 ml tube
Rublev Colours Lead-Tin Yellow (Type I) is a semi-opaque lemon yellow, fine-grained, and with medium tinting strength. Our lead-tin yellow is made according to historical recipes. Although lead-tin yellow frequently occurs in European painting before the eighteenth century, it is not mentioned in older literature on painting techniques. It has been identified in Rembrandt's work, such as Belshazzar's Feast (1636/1638). It is called massicot in northern European manuscripts but identified as giallolino or giallorino in Italian manuscripts, as noted by Merrifield. Lead-tin yellow has not been rated for lightfastness by the ASTM, but independent studies have shown that it is permanent in most vehicles and can be used with all other pigments without alteration.
Composition and Permanence
Lead-Tin Yellow
Color: Lead-Tin Yellow
Binder: Linseed oil
Additive(s): None
Pigment Information
Pigment: Lead-Tin Yellow Lemon (Type I)
Pigment Classification: Synthetic inorganic
Colour Index: Not Listed
Chemical Name: Lead-tin oxide (also lead stannate)
Chemical Formula: PbO2SnO4
CAS No. 12036-31-6
Properties
Code: 309
Series: 7
Opacity: Semi-Opaque
Tinting Strength: Medium
Drying Rate: Medium
ASTM Lightfastness: Not Listed
Permanence: A - Permanent
Safety Information: DANGER! CONTAINS LEAD. HARMFUL IF SWALLOWED. Avoid ingestion and skin contact. Wear protective clothing and gloves to prevent contact with the skin. Never use near children or pets. Protect yourself against the chronic hazards of this and other chemical products by keeping them out of your body. Do this by avoiding ingestion, excessive skin contact, and inhaling spraying mists, sanding dust, and vapors from heating. Conforms to ASTM D-4236.
Proposition 65: Warning: This product contains lead, a chemical known to the State of California to cause cancer, congenital disabilities, and other reproductive harm.
DO NOT APPLY TO SURFACES ACCESSIBLE TO CHILDREN OR PREGNANT WOMEN.
Must be used exclusively as material for the purposes of arts, crafts or hobbies, not for use by children.
Notes
Some separation of pigment and oil may occur in Rublev Colours Artist Oils and is a natural process when no wax or stabilizers are added to paint to prevent this from occurring.
All images of color swatches on this website are only approximations of the actual color of the oil paint. We have carefully matched the color in these pictures on calibrated color monitors to the actual color. However, your results may vary because of the wide variance in color monitors.
Color Swatch Note: The color swatch was created with a thick application (left side) of color and a tint (right side) made with equal parts of color and titanium white and applied on acrylic primed cotton canvas.
Drawdown Note: The image of the "drawdown" contains a pre-mixed paint film of 6 mils (0.006 inches) thickness applied to a standard test card to examine color consistency, opacity, and other qualities. The drawdowns show the full-color strength (mass tone) on the left and mixed in a 1:2 ratio with titanium white on the right. The bottom area of the drawdowns is scraped to show undertones.
Through his innovative use of color and light, Caravaggio transformed the landscape of 17th-century painting. His legacy, marked by a distinctive palette and a profound understanding of human emotion, continues to inspire and captivate audiences, making him a pivotal figure in the history of Western art.
Although "chiaroscuro" was practiced long before the 17th century, Caravaggio made the technique definitive, darkening the shadows and transfixing the subject in a blinding shaft of light. He achieved this effect with a limited palette typical of 17th-century painters: iron oxide earth colors, a few mineral pigments, carbon or bone black, and verdigris. Earth pigments predominated, and brighter colors were always veiled.
Caravaggio's palette was a testament to his pioneering approach, comprising a relatively limited yet highly impactful range of colors. Central to his palette were earth tones, which were the bedrock of the Baroque school's inclination towards realism and emotional depth.
Colors of Caravaggio's Palette (Equivalent Color in Rublev Colours Artists Oil Paint):
Lead White (Lead White #1 Oil Paint)
Lead-Tin Yellow (Lead-Tin Yellow Oil Paint)
Yellow Ocher (Blue Ridge Yellow Ocher Oil Paint)
Verdigris (Viridian Oil Paint)
Vermilion (Cadmium Red Light Oil Paint)
Red Ocher (Venetian Red Oil Paint)
Umber (Cyprus Raw Umber Medium Oil Paint)
Bone Black (Bone Black Oil Paint)
Lead-Tin Yellow Artist Oil Paint
High-Quality, Professional Oil Paint 50 ml tube
Rublev Colours Lead-Tin Yellow (Type I) is a semi-opaque lemon yellow, fine-grained, and with medium tinting strength. Our lead-tin yellow is made according to historical recipes. Although lead-tin yellow frequently occurs in European painting before the eighteenth century, it is not mentioned in older literature on painting techniques. It has been identified in Rembrandt's work, such as Belshazzar's Feast (1636/1638). It is called massicot in northern European manuscripts but identified as giallolino or giallorino in Italian manuscripts, as noted by Merrifield. Lead-tin yellow has not been rated for lightfastness by the ASTM, but independent studies have shown that it is permanent in most vehicles and can be used with all other pigments without alteration.
Composition and Permanence
Lead-Tin Yellow
Color: Lead-Tin Yellow
Binder: Linseed oil
Additive(s): None
Pigment Information
Pigment: Lead-Tin Yellow Lemon (Type I)
Pigment Classification: Synthetic inorganic
Colour Index: Not Listed
Chemical Name: Lead-tin oxide (also lead stannate)
Chemical Formula: PbO2SnO4
CAS No. 12036-31-6
Properties
Code: 309
Series: 7
Opacity: Semi-Opaque
Tinting Strength: Medium
Drying Rate: Medium
ASTM Lightfastness: Not Listed
Permanence: A - Permanent
Safety Information: DANGER! CONTAINS LEAD. HARMFUL IF SWALLOWED. Avoid ingestion and skin contact. Wear protective clothing and gloves to prevent contact with the skin. Never use near children or pets. Protect yourself against the chronic hazards of this and other chemical products by keeping them out of your body. Do this by avoiding ingestion, excessive skin contact, and inhaling spraying mists, sanding dust, and vapors from heating. Conforms to ASTM D-4236.
Proposition 65: Warning: This product contains lead, a chemical known to the State of California to cause cancer, congenital disabilities, and other reproductive harm.
DO NOT APPLY TO SURFACES ACCESSIBLE TO CHILDREN OR PREGNANT WOMEN.
Must be used exclusively as material for the purposes of arts, crafts or hobbies, not for use by children.
Notes
Some separation of pigment and oil may occur in Rublev Colours Artist Oils and is a natural process when no wax or stabilizers are added to paint to prevent this from occurring.
All images of color swatches on this website are only approximations of the actual color of the oil paint. We have carefully matched the color in these pictures on calibrated color monitors to the actual color. However, your results may vary because of the wide variance in color monitors.
Color Swatch Note: The color swatch was created with a thick application (left side) of color and a tint (right side) made with equal parts of color and titanium white and applied on acrylic primed cotton canvas.
Drawdown Note: The image of the "drawdown" contains a pre-mixed paint film of 6 mils (0.006 inches) thickness applied to a standard test card to examine color consistency, opacity, and other qualities. The drawdowns show the full-color strength (mass tone) on the left and mixed in a 1:2 ratio with titanium white on the right. The bottom area of the drawdowns is scraped to show undertones.
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